Saturday, November 28, 2009

CHRIS MANSEL & JAKE BERRY: A DIALOGUE

A Dialogue with Jake Berry by Chris Mansel (2008).

[Editor's Note: This exchange features two of the most creative contemporary minds I’ve encountered. No one rejects convention more thoroughly than Mansel and no one of the unconventional creative bent is better read or more informed than Berry. Both are writers and artists of singular character – in the uniqueness of their pluralities. If there is a better source on the creative process, I am not aware of it. Jazz.]

[Chris Mansel: Any conversation for me with my friend Jake Berry is a learning experience and a gift I do not take lightly. I was again fortunate to ask Jake questions for the third time and the answers speak for themselves.]


Chris Mansel: If the Buddha were standing out in the rain would you invite him in, or go outside and stand with him?

Jake Berry: I'd invite him in to help me tear the roof off my house.

Chris Mansel: If your creativity is the medicine you are prescribed, then is the diagnosis running parallel or controlling the ship on troubled seas?

Jake Berry: You know how to load a question. I think of how they found Nietzsche mumbling to himself over his papers. He never said much after that though he lived many years in silence. Or Holderlin pacing in circles all night, jotting down notes, some of them brilliant fragments, and playing violin, or was it flute, that according to some who heard it was quite beautiful. Yet it is obvious from people who spent long periods in his company that he was suffering greatly, quite mad, relative to the times anyway. He lived another 40 years deteriorating.

I know that working more or less every day at one creative pursuit or another keeps me from going to Wal-Mart, buying a shotgun and shells and having a go at the place with both barrels until the cops and media arrive and spoil my fun. Some of us are afflicted with this thing. The nerves are calmed for a moment after you write or speak/sing a poem, write a song, play a musical instrument, paint, draw. It has been this way since I was a child. Artaud said no one ever did any of these things except to get out of hell. He would know. He spent enough time there.

At the same time it can be extremely hard work - grueling, obsessive day after day. Insomnia from dwelling on a piece so intensely it won't leave you rest. Knowing that even your most inspired effort is probably doomed to failure, even by, perhaps especially by, your own standards. I know you suffer from migraines, seizures and so forth that seem connected to your work. But then once you really commit to this thing everything is connected to it.

What I try to do, with actually a small degree of success, is keep my ego out of it. Out of my feelings about the work, out of how others react to it, and out of dominating the work as the central voice.

Most creation tales begin in chaos, the void, or some similar unknown. So it is. We stumble around in the dark. Those who practice any of the arts and believe they know what they are doing are utter fools. If I have learned anything, it's how to recognize a fool. I have a great deal of experience in the art of foolishness, where practice does not make perfect, but only makes one more foolish.

Chris Mansel: If destructiveness is in the chemical makeup, does it come from the same component as creativity, or do they operate individually off of one another further down the line?

Jake Berry: I don't see how they cannot be interwoven. Creation and destruction seem to be part of the same process of change. Since nothing is permanent we can see the change as either the destruction of what has disappeared or the creation of something new. When we bring intent into consideration we can discuss whether creation is the result of intention to make something new or destroy something previously present. Further than this we can discuss particular instances of creation and destruction.

Let me answer then with a question to you. Are your films a destruction of the images from which they originally drive or are [they] pure creations in which the original image is merely the ore, the raw substance to be shaped in a particular way? To what extent is the end result predetermined or left to chance?

Chris Mansel: The images are deconstructed in such a way as to bring out the image beneath the surface. What you refer to as pure creations is left to modifying or using the software in such a way as to bring about a new surface of the canvas, a painting over if you will. Everything was left to chance until I saw the image and I would then go back and correct it or take the muddy approach and let the muck fly where it lay. When I started working with your Brambu recording I began a whole new process of working towards the text and an evolution began that as you often say, “Developed delightfully stranger and newer life forms.” In other words I did things that I didn’t know I could do until I did them. My latest film The Dead Illume is a perfect example of this.

Your blog Notes, Quotes, Ideas, Speculations hasn’t been posted on in three years and this is a fascinating piece of work. I wonder if you have any plans to expand it into a book length project in the future.

Jake Berry: There was a train of thought I was working with there and I still want to develop it, but I have been distracted by other projects. I intended the site as a place to post more or less random philosophical bits and pieces. So perhaps I will return to it that way then pursue the longer piece by weaving it in and out of the rest.

You say above, "I did things I didn't know I could do until I did them." That seems to be the most appropriate way to work. In my experience if I understand where a piece of whatever kind is going before I start it doesn't remain interesting for very long. The whole point of this kind of practice is discovery. The thing that surprised me the most was the quality of the work you were doing with a computer camera and free software. There are directors working with budgets of millions of dollars who devour hours of our time and do not give us anything. You on the other hand open entire worlds of imagination with no budget and asking only two-five minutes of our time. Do you intend to continue working with this approach or would you like to eventually use professional cameras and software?

Chris Mansel: Of course I would like to use more sophisticated equipment and turn it on its side in the same manner. But I don’t foresee it happening. One reason is funding. I just don’t see any way I would have access to the kind of equipment you are talking about. Another reason I don’t think it will happen is because it would be the natural progression of things and that just hasn’t been the way my life has worked out.

In Arthur Janov's book, Primal Scream, he writes, "E. H. Hess, investigating pupillary contraction and dilation in response to certain stimuli, found that the pupil dilates when the stimulus is pleasant and contracts when it is unpleasant." If this is true would not a nation be so seized in its view to generally accept any thing that was thrown at them?

Jake Berry: I suppose that's true if what was thrown at them was pleasant. At least that portion that was paying attention. I think the manipulation of a populace has to go further than the autonomic response. It has to strike at that level, but it also must engage the intellect in some way. And of course pleasure is only one response that can be manipulated. We have seen how populations respond to fear, and how fear can be used to coerce populations into believing things that would otherwise seem unreasonable. It's part of the way those in power convince the majority to conform. The real power always lies with the majority. If the great majority of a population truly does not wish to do something, then it does not have to, but this requires a kind of solidarity we rarely see in large populations. Usually the struggle for resources and other divisions like ethnicity, religion, race, and so forth prevent solidarity, and that is exactly the way the most powerful individuals in any society would like to keep it. Only a few can be rich, otherwise having wealth would be pointless. In a capitalist society, wealth is power and those in power do not wish to lose it. So the manipulation begins.

Where does art fall in all of this? We know that it can be used as a tool for manipulation, but we also see that people with no power at all the world over make art. If the populace in general becomes more concerned with aesthetics than with consumption, the facsimile of wealth, will that populace become less subject to manipulation?

What I mean is concerned with making art, not just passively observing or consuming art products.

Chris Mansel: Art becomes the transparency that can be lifted up and placed anywhere at will. Commercial art has taken upon itself to balance out the scales of madness to borrow a song title from you. Having no power you can still make commercial art, anything feeds the eye, it’s the pineal blues these days. The false Buddha is everywhere. It is more important now to be the bug than the botanist, to be the moth than the flame; to be seen is the new orgasm, the new sexual technique. Cesare Lombroso wrote in 1899, “The atavism of the criminal when he lacks absolutely every trace of shame and pity, may go back beyond the savage even to the brutes themselves.”

I would like to ask you about a song entitled “So Many Birds.” This is a very dramatic recording. Could you talk about the song and the writing and why you placed it as the last track on your new album Liminal Blue?

Jake Berry: "So Many Birds" was I think the last song I wrote for the set. I think I wrote 15 songs during the period, 11 ended up on the album. I was about to change the tuning on the guitar when I hit a chord that felt like a door opening - one of those moments when you hear a whole song unfolding out of a single chord. The tuning is one I use often because it has so many possibilities. I never seem to fall into a rut with it. The low E string is tuned down to B and it goes on from there to F sharp, B, E, A, E. I found it a few years ago fooling around, looking for new tunings, then discovered later that Joni Mitchell had used it on several albums, including Turbulent Indigo, one of my favorites.

That's probably why it made sense to me. It's easy to get 13th and 11th chords in this tuning, so the harmonics are fairly broad. The first part of the song works out of an F sharp minor 13, so the melody is a minor modality, a darker, more dramatic feel. The second section of the song moves to A major, and F sharp minor is the relative minor to A, so you get what Leonard Cohen calls, in "Hallelujah", the "major lift." But it eventually resolves back to the minor. This was a case where the words flowed out of the music. They came to me as I was working out the chords and melody.

It happened fairly quickly. When I went to record it, all the parts seemed to come quickly as well. There is one idea that I got from listening to the first Portishead album. I noticed in one of the songs the way they used vibrato on a guitar strumming the chord at the beginning of each measure. I liked the atmosphere that created, so I tried it with "So Many Birds" and it was very effective. The song doesn't sound anything like Portishead, but that's another reason to listen to all kinds of music, you get ideas you can bring into your own work to create something new. Duke Ellington and Miles Davis were influenced by Ravel and Debussy, and Ravel was influenced by early blues. The reason it's the last song on the album is because it feels like a good way to finish it. It often happens that the album sequence is very close to the order in which the songs were written. There's also the last line - "ride on, until you disappear, even from yourself."

After that it felt like the story had been told.

As your film/video style develops I see how you move from very recognizable images of nature to pure abstraction, which is just as organic since it is derived from the original images. This movement takes me in two directions. It seems to make the film more spiritual, intuitive, more open to the imagination. It also makes me think of the films of Stan Brakhage. This is not because it looks like Brakhage but because you seem to allow the work to take its own course and move into those open areas. How does this work from the inside as you are working on the piece?

Are you trying various techniques or experiments then going with what seems to work best or is it even more organic than that, does it seem to guide itself completely?

Chris Mansel: The difference in Brakhage and me is his images would rush by you and constantly you found yourself inside a community reflecting off one another. In my defense I am alone without the benefit of community and working in a limited medium and without editable film. The software I use is limited to its creation. Film is strength in a society of weakened eyes searching for anything. Brakhage was a genius but then again so was Greg Toland and he never directed one picture but you can’t mention Citizen Kane without discussing his work.

As I am working on each piece the image, the initial image suggests everything and until I add any abstraction, for lack of a better term, it says nothing at all unless you count the surface or what light has down to it in the original photograph. Nietzsche’s last words were, “More light.” He also suggested we listen to music with our muscles. If that is true then perhaps we look at film with our brain, each individual eye developing or editing the image separate from one another. Burroughs was right; life is a cut-up. The process is organic. Short of literally showing you how I make a film I can explain that separate filters in the software capture and distort light in different ways. It is back dated software to the year 2000 so there are more advanced processes out there on the market but I have been successful with what I have at hand. It is organic and it is a process of selecting the recipe per each individual image. There is no way to fully explore the depths of it because there are innumerable ways to take photographs and countless recipes.

Aaron Copland wrote, “When I speak of the gifted listener I am thinking of the non-musician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.”

Do you happen to agree with Copland or do you compose for whoever listens?

Jake Berry: My definition of a listener might be different from Copland. I probably don't draw as clear a distinction between amateur and professional. We live in very different times. In Copland's day professional musicians played classical music, with club or cabaret musicians considered a distant cousin, even though Copland based much of his music on very unprofessional American folk music. I do think that a trained musician or a musician who makes a living by performing and recording music will hear very differently from the music fan who does not play, or the casual listener who enjoys whatever is on the radio. However, I wouldn't say I have a particular type of listener in mind.

Writing a song is more intuitive than intellectual. I am following the feel of the music, contributing to it, toward something that seems real, something that connects with my experience of the world, and something that remains interesting as I develop the progression and melodies and so forth. I hope that if a song is true to my experience, has an authentic feel, and remains interesting over the process of writing and recording, it will also connect with other people, though on their own terms. Most of the time when someone responds to me about one song or another they discover things I never imagined. That's an affirmation as far as I'm concerned because it means that person found something of their own in the song. As a fan, my favorite music always has that quality, so that's a measure of success for me.

Wayne Sides pointed out the obvious to me one day when he said photography is light writing, writing with light. The great photographers, from Steiglietz to Weston to Minor White or Robert Frank all seem to have that in common. Just as drawing is a moving point, so photography is moving light. This is even more so with moving images with people like Toland or Sven Nykvist. You are a poet, novelist, songwriter, painter and sculptor/assemblage artist as well as a film maker. Do you see all these things as part of a whole, points along a continuum or do the demands of each discipline make them completely distinct from one another? If they are part of a whole how does each of the mediums in which you work inform your film and video work?

Chris Mansel: It's a continuum of course but then again it's not. To make a mistake in a film is like making a mistake in any of the other fields you named. You simply have to start over or have to rethink the process. I can't reedit because the software is unable to do so. If I had to pick a discipline I would pick assemblage to mirror film making. I walk along the shore or though the woods or anywhere really and stop and look at a piece and wonder if I could make it work with something else. That takes a lot of thought. But as The Marquis De Sade wrote, "Any enjoyment is weakened when shared."

But the Marquis was insane.

Your writing has always been visual, now that I have given video to the audio recordings of your text, where do you go now with your written word? Is there a way to transcend the traditional form of delivering to the reader or listener?

Jake Berry: Doing Brambu Drezi Book 4 with a moving image component has been my intention for two years or so and the opening section of Brambu Book 4 was finished and posted at You Tube and the IFC Media Lab last fall.

Since then I've done the video and some of the audio for the second section of Book 4, but I'm still working on the words and the visuals on the page. There is a tendency to want to put the words in the video, and I will do some of that (you've done that beautifully with some of your own poetry in video by the way), but the ideal situation is to have the book in hand at the same time the DVD will be playing. The book itself is both a score for performance and visual art. The video as you have added to excerpts from Books 1-3, and as I will continue with Book 4 is just another element. I don't think there is any need to transcend the traditional forms of poetry, just add to them. There are many films that I think are poetry based purely on the visual alone. We spoke about Brakhage before, and I think your work does this. Also, a little closer to the feature film, directors like Godard, Antonioni, Terrence Malick, et. al. create a kind of visual poetry. Godard also drops words into his films sometimes, right in the middle of scenes, at first inexplicably, but gradually you recognize it as a kind of cut-up poetry.

Most of your film/video work so far has drawn from landscape, do you envision a time where you'll want to work with the human form?

Chris Mansel: Yes I have thought of this but I would have to have a model who wouldn't mind the painful prostrations I would put her through. The shots I have in mind would also be in nature and in a studio setting. They would be called Essays in the Passing Sciences. It would be a film about an hour long. I have already conceived some of it in my mind but I don't know if it will take place or not.

Jake Berry: I do what I can to support the work of others, but I never feel like I have done nearly enough. It would be nice to have the resources to start a publishing and recording company so that I could promote and distribute the work of all the artists of whatever kind who are now often ignored. I don't think it's a continuation of my art necessarily, but one wants to give something back, and give something to the world beyond your self. When you love the arts and you see great work not getting the recognition it deserves you want to do something about it. At the same time, whenever I get a few extra dollars I spend it getting my own work out there or buying instruments or equipment that will help me create and promote my own art as well as others. So I feel selfish as well.

Essays in [the] Passing Sciences sounds like a wonderful project. You might be surprised. There might be people willing to do the work because they are interested in being a part of a project beyond the ordinary film. Could you go into a little more detail about what you have in mind?

Chris Mansel: Specifically in nature, there would be those parts of the body I find interesting that would either coalesce with the environment or protrude. In a studio it would be more close-up. There are many things I find interesting about the human body. The idea is to photograph in both settings the form in a new and interesting way.

Say for instance the arm from the shoulder to the elbow against a broken limb both hanging from a tree and a broken limb on the ground. In a studio setting the arm would take on a different meaning when it was up against a light bulb that was turned off to signify the idea is there but it is nothing new.

Another idea is have the body submerged in leaves with only the hair emerging. These are essays and who is to say if is it science or not?

One thing your writing is known for, particularly your Brambu writings is the art. A book of your art, drawings, sculpture would be a monumental task but well worth the under taking. Do you think such a book would free you to create more art and distance you from what you have already created?

Jake Berry: I'm not sure what the result would be. But if there is a publisher willing to give me the opportunity I'd leap at it.

In the past when I've been confronted with similar situations I tended to add it to the things I did rather than subtract it from the activities in which I was already engaged. So I would probably assemble a collection of work that had not been associated with any previous project and spend a period of time obsessed with creating new work.

Your written work, whether prose fiction, non-fiction political writing, or poetry is so diverse that it is almost impossible to imagine it as the product of a single mind. Do you have as many selves, as many souls, as you have approaches to work? Are we by nature singular or plural or both?

Chris Mansel: I have often wondered this myself. When I write, from start to finish, unless it is a long piece I usually finish it in just a few minutes. A poem will sometimes take two minutes or more. The words come out so quick I am lucky to get it down in a cohesive piece. Since I have seizures I can hardly write legible any more creatively. So like most these days I write at the computer.

As far as approaches to work I have a select library I pull from. I won’t try and list them but Dante plays a major role.

Non-fiction mostly, personal experience is where I glean. Pete Townshend quoted Elvis Costello once and said, “Each writer must be a thief and a magpie.” I adhere to that philosophy a great deal.

We are by nature singular though most might disagree. I have said many times your creativity is the medicine you are prescribed. You are prescribed not anyone else. You are the one writing even if someone else is editing. You are the one faced with the blank screen or piece of paper, you and you alone. I can’t think of a better place to be, though I have felt different many times. This evening alone I had a seizure and spent five hours in the emergency room. It was my seizure and it was my pain. I had my wife and daughter with me but it was my instance that brought me there. We are a singular being adrift in a tidal pool. Back and forth we go through life but you can never get away from the fact that we are alone.

Do you foresee a day when the writing of Charles Olson will be taught alongside Mark Twain and Washington Irving in our education system?

Jake Berry: The thought of Charles Olson being taught in our education system troubles my sleep.

I can foresee a time when Olson will be taught at various levels of secondary education and that time is now. He just isn't being taught very widely. There's also a backlash in some quarters against modernism right now. Part of this is justified because in some places modernism and post-modernism (whatever the fuck that is) eclipsed everything else for a while. It makes sense that we keep modernism in perspective. It's only a small part of the story. On the other hand there are those that want to toss it completely in favor of a return to some imagined period when poetry was held in high esteem and was relatively easy to understand. That was before audio recordings, certainly before audio recordings and films became so popular. Even without new formalism or other poetries that shun the apparent difficulties of modernism there are still forms of poetry that are easy to understand and are extremely popular. It just hides under the name 'popular music.' While much in that area is pure product, candy - there is still great poetry sneaking out as pop music because that's the medium in which it is performed. It's a long list and everyone that really loves popular music and devotes time to listening to it will know immediately what I'm talking about. When I use the term popular music, I mean all the music that has been popular in terms of a large audience (compared to other forms like classical, avant-garde, art song and so forth) over the last century as recording technology has made music available to everyone. There's no small amount of modernism in pop music either. But you rarely hear people complain about the difficulty of a Radiohead lyric for instance, or the obscurity of Beck's references. People talk about the words. They recognize them as being more abstract, but that isn't a problem. There are millions of people walking around singing lyrics that are open to as many interpretations as there are listeners and few have a problem with this.

Does the fact that you can sing an obscure bit of poetry make it better somehow than reading it in a book? Maybe it does. Maybe someone should set The Maximus Poems to a nice backbeat, mix in a heavy bass line and some nice guitar licks. I bet if a successful artist did that and didn't call any attention to the fact, beyond the essential permission notice buried in the credits, we'd have people all over the world singing Olson.

The troubled sleep was a paraphrasing of Ezra Pound who said the same thing about the classics being taught.

I have certainly had my share of troubled sleep, but I am as likely to have it troubled by something I am working on as anything else. I'll be so intensely focused on a poem or song that some part of me can't let it go long enough to rest. I wish I was romanticizing this, and I never used to have this problem, but it definitely happens now. Also, I have often found sleep to be a source of creativity. I was trying to catch up on missed sleep from last night with a nap this afternoon and woke up with the phrase along the lines of "the devil is going to get his." I don't know what this means, but for some reason I attached it to the current conflict between Russia and Georgia. Sleep can indeed be an escape.

In times of most intense stress from the world at large I seem to be able to sleep. I think perhaps my mind is trying to escape the stress.

I hope you don't mind if I keep hammering away at this idea of the singular. My experience is that we are in a state of constant change. My self, what "I" am seems to change to adapt constantly to circumstances. So, I find it difficult it locate a singular self. I have an ego of course, an inflated one too much of the time, but I think of that as something like a device for asserting one's presence in the world, and a very crude one at that. It's necessary, but temporal and shouldn't be taken too seriously. I think that one of the origins of our idea of self lies in monotheism.

When Moses asks who is speaking form the burning bush the voice comes back "I am." There's that singular I. As western culture developed around monotheism we also see popes, kings, and so on represent themselves as the presence of God on earth. The presence of the God. Your work seems so varied - you write poetry and songs of all kinds, you do all manner of visual art. Even your recent series of films seems the product of many selves, not a single individual. So I'm puzzled. Can you help me to understand how all of this happens from a singular identity?

Chris Mansel: I keep going back to Georges Bataille, he wrote, "Me, I exist." It is pounded into us that we are all good and evil, but we are all singular, just one man or woman. My story, The Savage Tale of Walter Seems tells the tale of a journalist who has multiple personalities. One is a journalist, one is a killer, and yet another is a holy man.

Perhaps that role of monotheism is in all of us and that is where it comes from. Perhaps the burning bush was talking back to Moses in his mind. Maybe we hear what we want to hear. It would account for the many readings of the same text and the many different versions of worship. We understand more about the chemicals in the brain now than we did then.

How this happens from a singular identity is in my opinion like The Neophyte by Durer. Maybe we are like the fresh young scholar surrounded by the more experienced and as we get older we learn to how to utilize them. But again we are all one mind. As I get older my writing and my films will become better and other artistic endeavors will become apparent.

I'd like to ask you a question I asked Neeli Cherkovski in my interview with him. I wonder if you have a favorite artist or painter and what brought about this opinion?

Jake Berry: It would be impossible to single out anything like a favorite artist. I'm reading, listening, learning all the time from new artists. There's a list at: http://www.myspace.com/jakeberry16.

If you mean painters only the list is just as long. The earliest art yet unearthed is every bit the equal to the "great masters," though I love DaVinci, all the Renaissance north and south, art from all the ancients, everything that isn't just pure commercial crap. I can't get enough of art of whatever kind. I feel the same way about philosophy, history and science. There's so much to see, hear and learn that it's frustrating knowing there will not be enough time to see it all.

Recent developments in the cognitive sciences reveal that our behavior, our emotions and thoughts, are associated with electrochemical activity in the brain. This leads back into the old debates about self-determination. To what extent are we able to make individual decisions? Or is everything we can feel or know or do the result of chemicals in the brain, their transmitters and receptors, responding to external stimulus and biological predispositions?

Chris Mansel: Any mapping of the human mind surely would include a descent into hell. As for individual decisions we must prey upon ourselves like rabid dogs and weigh the consequences but finally whether we receive council from others or not we are the Emperor in his new clothes draped in the blood of the designer and his minions. We are the final word unless we are someone without honor or purpose. A dog will follow a bone only as long as the scent or the desire allows unless you beat him to do so. As someone who suffers unimaginable headaches I can hereby say that the chemical imbalance is that descent into hell with no poet's way out, no guide to soften the rough waters. The transmitters click off and on I believe but in a situation of intense pain I believe that like a damaged nerve they simply shut down. I can only speak for myself and truthfully in the ways of science, just my belief but I tend towards the belief that hell and its torments are in the mind and its pain I feel on an occasional basis.

[Editor’s Note: Many thanks for this incredible journey through the creative mind, from the depths of Dante’s Inferno to the skies of liminal splendor. These artists are creating bridges to new worlds and new contexts that redefine the human experience and every journey they take reveals new portals, new roads or new ways of seeing and believing. Those of us who value the creative process envy and thank them, along with the adventurers who came before and will inevitably follow. Many returns. Jazz.]
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Sunday, November 08, 2009

Jake's Word Re: AFGHAN TRAP REVISITED

[In response to a Jazzman Chronicle reprinted below.]

Well said. Delivered with the intelligence, scope and precision of the finest political writing. Much closer in that regard to the founders than anything you're likely to ready anywhere in the major presses. Thank you for your perseverance. We need that now and always.

I keep thinking of something Robert McNamara said when he returned with some of his American counterparts to meet with his former enemies in Vietnam decades later. One of them asked him, "Did you not know the history of Vietnam? Every country around us and many countries from all over the world have invaded and all of them have left defeated. We are still here."

It's obvious that the Bush administration never bothered to study history, any history, let alone Afghanistan. They ignored the fact the English pieced the country together out of warring tribes, just as they did in Iraq. They ignored the fact the British could not control Afghanistan and after a long struggle, they abandoned it. The British empire was crumbling as they left. They even ignored history so recent that even their children and grandchildren knew it. The Soviets invaded with the same results. They left as the Soviet empire crumbled.

We knew this going into Afghanistan. But we went anyway. Al Queda finally found the trigger and pulled it when they could be certain of a massive, unrelenting response. An unified multinational force is the only possible answer in the short run. Troops from all over the world, relatively small numbers from each nation, adapting to each shift of position, applying pressure, making it clear that they will not be there permanently. Eventually U.S. troops and those of other nations beyond the region will have to leave, just as we will eventually have to develop domestic energy resources and leave the entire region to settle its own problems or fight one another forever.

Civilization as we define it began in the middle east (and probably China and other places as well). We will never control the region. Not Alexander, not even the Persians themselves, could hold the region for more than a few years.

We are in deep now, but we don't have to be. The world should be put on notice that our time there is limited and that we have the skill, innovative drive, and resources to free ourselves of economic and cultural ties to the region (including Israel). We should have never been there to begin with. We simply cannot stay there forever if we wish to survive.

Jake Berry



THE AFGHAN TRAP REVISITED: COMPOUNDING OUR MISTAKES

By Jack Random



Let’s assume that the group of people who planned and executed the September 2001 attack on America’s institutions of finance, the military and an unknown third target (I would have thought the CIA in Langley, Virginia) were something more capable than idiots. Let us assume they had at least a notion of a plan that went beyond hitting us where it hurts.

The American response to such an attack was not difficult to predict: We would identify a likely enemy and strike with the awesome might of the world’s most powerful military.

Our response may have gone beyond what the enemy predicted. If they had knowledge of the then residents of the halls of power, they could have predicted a war in Iraq. Though unrelated to the attack and the attackers, Iraq was a war the White House wanted for reasons as obvious as a solar eclipse.

They may have known that we would attack Iraq but they were certain that we would attack the nation that unwittingly hosted them: Afghanistan. They would have predicted that our zeal to display our awesome powers of destruction would cut short any discussion with the ruling Taliban. They would have predicted that our pride and stubborn determination would lead us further and further into the Afghan trap where we would awaken years later to find that we can neither go forward nor get out.

As any foreign power might have told us: there is no winning a war in Afghanistan. There is only a slow, painful death.

Our military commanders tell us what they are supposed to tell us. It is not in their vocabulary to lose a war once it has begun. They tell us what they need to win tempered by what the public will accept. Instead of saying we need to exterminate half the Afghan population and annihilate the northern provinces of Pakistan, the commander requests another 30 to 40 thousand troops. If he gets them have no doubt there will be another request six months down the road and another and another until at length we are in so far we can neither go forward nor get out.

We are in the process of doing precisely what our attackers wanted us to do.

But the commanders and their defenders in Washington protest: The surge will work just as it did in Iraq. Never in the annals of military history has the truth been so deviously distorted. When true history is written, it will record that the American occupation forces in Iraq, trapped and cornered in a spiral descent, made a deal with the enemy. We would give them arms and money (just as we did the Mujahideen in Soviet occupied Afghanistan) to fight against a common foe. They took our money, our weapons and our ammunition on the condition that we would agree to withdraw our forces from the battlefield.

So what have we won in Iraq? Have we won control of the oilfields we so coveted? Have we won a more loyal ally in the region than our former ally in Saddam Hussein? Have we weakened our regional adversary in Iran? Have we secured the democratic form of government?

We have in fact accomplished none of these. We have in fact strengthened Iran, lost our influence over the oil, and the only thing less certain than Iraqi democracy is the prospect of Iraqi unity and peace. As the Hollywood oil man famously opined: There will be blood. There will be a fight for control of Iraq that will likely tear that creation of the British mandate apart. It will be a battle that will stretch on for years and decades and perhaps even centuries and in the end we will have little say over who wins and loses.

As it is in Iraq so it is in Afghanistan but more so. We find ourselves in the same dilemma that confronted the Soviets in the fateful year of 1987. Before the occupation Soviet military commanders warned that Afghanistan was a trap. It was a nation of disparate tribes that could only be united by a foreign occupier. It was a war the Soviets could not win but it would suck the life out of the Soviet treasury like the unquenchable thirst of a vampire. Soviet political leaders would hear none of it. They were the mighty Soviets. They would prevail where no one had before. Once it became clear they could not prevail they were afraid to fail, afraid to be embarrassed as the Americans had been in Vietnam. They were caught in the Afghan trap.

Flash forward to today. The situation in Iraq is unstable even as we prepare the withdrawal of the vast majority of our troops. The situation in Afghanistan is a spiral descent. The Karzai government has revealed itself as hopelessly corrupt. The Afghan model of democracy was clearly Florida 2000 in which votes can be manipulated to the desired outcome at the command of the government in office. (To Obama’s credit, it was not acceptable to the new White House.) We are sponsoring murderers, thieves and drug dealers even as we condemn the enemy for doing the same.

We are losing the war not because we have the wrong strategy and not because we lack the soldiers. We are losing the war for the same reason the Soviets lost: It is not our land to win or lose. The Afghanis may play with us for some time. They may take our weapons. Some may take our money. Whatever they promise or bargain away, in the end we will leave and they will decide for themselves who rules their land.

Our legitimate objectives in Afghanistan are (a) eliminating terrorist cells and training centers intent on attacking our people or assets and (b) ensuring that nuclear weapons in Pakistan are not transferred to irresponsible hands.

Despite the bravado of our former president, we have always known that the mission in this part of the world is one of intelligence gathering and precise covert military action backed up by prosecutions in international courts of law.

It is time we stopped playing by the script of our enemy and started standing for the cause of justice. We are not engaged in a battle of civilizations. We are upholding the rule of law.

From any rational perspective the Afghan president by embracing the illegitimacy of his government has enabled the American president to find the most direct path out of this hopeless quagmire. Clearly, the kind of democracy Karzai envisioned is the kind illustrated by Karl Rove, Dick Cheney and Dick Nixon in a former era. It is the kind of democracy practiced in Russia, Iran and countless African states. It is the kind that does not leave the important questions government in the hands of a mindless rabble.

That kind of blatantly undemocratic reasoning might have brought no more than a chuckle from our previous administration as they blindly pressed on with their predetermined agenda of empire building but it should not be acceptable to our current president.

In the beginning many of us were willing to give Karzai the benefit of the doubt. So what if he was a lackey for the oil industry? So what if he had a history of corruption? Anyone who takes the stage in international politics has danced with the devil once or twice. This was his chance to come clean. Instead, by embracing the dark side of electoral politics and rejecting the very concept of democracy, Karzai has become our worst Afghan nightmare. He gives the lie to the benevolence of the American occupation.

It is not in our national interest to uphold a corrupt and unlawful government. It is not in our interest to maintain an occupation indefinitely. Our only interests are fighting the violent extremists who threaten us and maintaining a stable government in nuclear Pakistan. Both objectives would be better achieved by maintaining a small footprint in the region and by withdrawing the bulk of our military presence.

However we may despise the Taliban for their archaic beliefs it was a mistake to declare them the enemy alongside Al Qaeda. The Taliban had no part in the planning or execution of the terror attacks on America. When we declared war on the Taliban we compelled them to join ranks with Al Qaeda. We simultaneously committed ourselves to an unwinnable war. With eyes wide open and led by arrogant folly we marched into the world’s deepest muck hole.

When we made our mission not a surgical strike by Special Forces to eradicate Al Qaeda but a full-scale invasion and occupation, it was a mistake of epic proportions. When we announced to the world that our goal was not to subjugate the Afghan people but to establish a working democracy, we ought to have kept our word.

A democracy is not a packaged good. It is a process and a very messy process under the best of conditions. The most basic premise of a democracy is that all segments of the population must be represented. You do not disenfranchise those with whom you do not agree. No matter how repugnant we may find a group’s beliefs, in a democracy we provide equal access to the electoral process. To exclude a segment of the electorate (as we did the Sunnis in Iraq) is to guarantee a civil war.

We must remember that in the broad scope of history, our own nation disenfranchised women and minorities until only yesterday. Imagine that a foreign power took control of our government and excluded Mormons or Jews or evangelical Christians for their archaic beliefs. The most secular of Americans would never accept that kind of manipulation in betrayal of the democratic ideal.

The way forward in Afghanistan is clear. We must correct the errors of the past. If it is still possible we must invite the Taliban to join the electoral process and we must make sure that the process is fair and equitable to all Afghanis.

The Taliban is not our rightful enemy on the field of battle. They are our adversaries in the universe of ideas. That is a battle we can and will win for we carry the forces of justice and destiny on our side.

What has happened in Afghanistan is shameful. There is no redemption for the kind of corruption the Karzai government has shown. We cannot defend them. We must therefore ensure that a fair and open electoral process sweeps them away into the dustbin of history.

The only agreement we should and can require of the Afghan government is one the Taliban would surely have agreed to nine years ago: a modest presence across the landscape from which to operate a continued assault on those who attacked us and those who intend to attack us and those who similarly threaten the nuclear stability of neighboring Pakistan.

That is our legitimate interest in the region and it is the best scenario we could possibly hope for at this stage of the game.

Jazz.

JACK RANDOM IS THE AUTHOR OF THE JAZZMAN CHRONICLES (CROW DOG PRESS) AND GHOST DANCE INSURRECTION (DRY BONES PRESS). THE CHRONICLES HAVE BEEN POSTED ON NUMEROUS CITES OF THE WORLDWIDE WEB, INCLUDING THE ALBION MONITOR, BELLACIAO, BUZZLE, COUNTERPUNCH, DISSIDENT VOICE, THE NATIONAL FREE PRESS AND PACIFIC FREE PRESS. SEE WWW.JAZZMANCHRONICLES.BLOGSPOT.COM.

Saturday, November 07, 2009

Mind of Mansel: Cessation Blues

...

american history sweeps a street that won't get clean
I'm carrying a gun carved from snakes and beans
the past tells me the battlefield is not always green
liberty is the highest peak that I have seen

wrapped myself in the flag and went out on the ledge
it took two steps forward to get out over the edge
lovers held out their hands but watched me fall
once I hit purgatory it turned into a serious brawl

I came back to life in the fields of war you see
and I cried to see that others were following me
so I walked off the line and lay my gun to the side
and in the name of peace you know I again died


chorus:

Cessation Blues, let it be one with you
even Gulliver knew, the Cessation Blues


- Chris Mansel

Saturday, October 17, 2009

JAKE BERRY'S RESPONSE TO KEITH OLBERMANN’S SPECIAL COMMENTARY ON HEALTHCARE

Olbermann is eloquent as always. And he utilizes a tool that most journalists either do not have or fear to use – a vocabulary. Maybe the words are written by someone else, but regardless, this is proof that intelligent use of the language can of itself be persuasive.

I agree with Olbermann, but that's no surprise. I have always felt that we should seek to collectively try to create a society that is compassionate before all else.

But in a free and open society, we are also free to be subjected to manipulation by those who are greedy to acquire and maintain their hold on power even if it means many others will die, even if it means that they themselves will die sooner than necessary. Power has its own directive. It seeks to consume, to control and drive the whole world to a massive, bloody conclusion merely for the ability to say "I had," "I have," and "I am above all others." It is ego written as large as the universe and once you have tasted even a small portion of it you cannot let it go without personal sacrifice because anything or anyone you believe you have conquered is now a part of you and to lose it means losing something more precious than life in the future, it means losing that part of your self right now. It means a small, immediate death. Once this contagion grips you you will do anything to protect it. That is the contagion, the real disease at the heart of the problem.* Many people – probably a majority now – believe that healthcare reform means that they will lose a part of themselves. This despite the fact that they do not actually possess what it is they are afraid of losing.

Once again we will fail because we prefer to react before we think. The leadership in and out of government, those who will ultimately make the decision about healthcare, has been horrible on all sides and from all corners. No one has spoken directly and clearly about the issue. Olbermann comes as close to it as anyone I have read or heard when he says that the issue comes down to the simple fact - "I want to live." We can make the apparently complex issue much clearer by asking a few questions. Here they are:

Does everyone in this country have the same right to live as everyone else?

If you are rich do you have a greater right to live than if you are poor?

If you are poor is it your obligation to become wealthy enough to pay for health insurance and all other health costs no matter how rapidly those costs continue to rise?

Should we cut healthcare costs by simply eliminating those who cannot afford it from the system? More directly, should we allow the poor to die because they are too poor to afford healthcare?

And how much will the cost of healthcare have to rise before you become one of those who can no longer afford to pay for it and be condemned to death?

Life is precious. The life we have is all we know. But as Olbermann states so eloquently, and as we all know, we all must die. How long do you want to live? Do you want to live as long as you are able to speak and hear and know the world around you? If so, you will need to live healthy and need a reliable system of healthcare to help you return to health when you inevitably fall ill. Do you have that right? If you do, does everyone else as well? Where do you draw the line? In the U.S. it appears that the line will be drawn with dollars. Life will be equated with wealth. The richer you are the longer you live. If that is the choice we make. So be it. We have always had a talent for ignoring the suffering of others with the exception of short term emergencies. Oh, there are those few who will give to the poor or help out in other ways. A few will even dedicate their entire lives to alleviating the suffering of others. But most of us are better at ignoring pain and suffering until it touches us. Then we want it to go away. In short, we want to live.

Do I matter more than you? I don't think that I do. And it doesn't bother me that I have less money in my pocket because someone else who is suffering tonight draws on medicaid or medicare or some other publicly funded program. But those programs are in fact underfunded and medicaid in particular is one reason that healthcare costs continue to rise. Another reason might be that pharmaceutical companies, as a group, spend half their budgets on advertising drugs (most of which cannot be acquired without a prescription). But I am obviously a socialist, right? If you believe that you believe a lie. And I am one of many millions.

Consider the questions and consider how you will feel if you fall on the bad side of the equation.

This is the way I speak to myself when it comes to the issue of healthcare. I am not sure that there is a solution. But can't we at least try to find a way for everyone to live as long as they can or as long as they chose? Maybe the answer is simply to leave things alone and let the system collapse. Maybe a better system will replace it based on supply and demand alone. I doubt it, but I'm beginning to think we're going to find out.

INFNITIES
jk

* Editor's Note: Despite the best efforts of the healthcare industry, the public continues to strongly support healthcare reform in general and the public option in particular. Another way to look at the debate is this: If healthcare is a right and not a privilege then it is immoral to profit by it. The health insurance industry serves no useful purpose to the general public. It should eliminated by the most direct means possible. Further, profit making corporations should not be allowed to own and operate hospitals and healthcare clinics any more than such corporations should be allowed to run schools, fire stations, police forces and the military. We are told to be afraid of government (i.e., socialism) but we ought to be afraid of the corporate takeover that is unfolding before our weary eyes.

Thursday, October 15, 2009

Beatlick Travel: Final Report 2009

Date: Oct 15, 2009 5:59 AM
Beatlick Travel Report #12

It has taken a full year to really become comfortable with our new van. I felt so connected to my old 71 VW and transferring emotionally to my newer 77 has been like taking on a new lover. When in Albuquerque last month the transmission hung up on me twice in one day in downtown traffic. I panicked at first then thought this van is officially blessed by the Ukranian Orhtodox Church, me too and Joe. This can’t be happening. The painful learning curve. All this time I have been shifting in a lazy X pattern when I should have been using an H pattern. So now I know and that is last bit of trouble I have had with the van. Coming back from Taos was one of the most pleasant experiences I have had, stress free driving now.

We are also in a new era with Beatlick News. We’ve changed over to a new publishing program, more compatible than our old Quark documents. I also took the front page picture with my Tracphone and emailed it to my new laptop computer, which is Wifi compatible. Publication is becoming much more streamlined and less stressful, too. And the house-sitting gigs are really starting to stack up so no new trips planned until January.

Here are some final thoughts which will be my Live For Art column in our upcoming issue. Check out beatlick.com in about a week or look for a hard copy in the mail if you are a subscriber.

The Red River and Rio Grande come together at the Wild Rivers Recreational Area in New Mexico. Far above at The Junta Point you stand between the two gorges that hold the rivers between their enormous canyon walls. Having trekked down the canyon paths to the confluence and looking up to Junta Point you can barely intellectually grasp how long it took for the rivers to eat through the flat earth further and further down to the canyon floor. Millions and millions of years. There in the midst of all that space and depth I can’t help but ponder how insignificant I am in the context of all the time ensued to create this natural wonder. How little do we matter in the entire scheme of things except to our own selves and those who share this time and space with us. It’s marvelous and frightening.

I marvel at the friends I am still allowed to have. The longer we are on this earth the more we lose: family, friends, neighborhoods, entire worlds and levels of consciousness.

The universe is still expanding, making us even more significant and small. How we treat each other now is the most important thing—in our homes and in the world. Happy Trails

Keep in touch and stay on the Happy Trails...
Beatlick Pamela Hirst

Sunday, October 04, 2009

AMERICA’S BROKEN PROMISE: THE UNFULFILLED RIGHTS OF HUMANKIND

JAZZMAN CHRONICLES. DISSEMINATE FREELY.


By Jack Random


In what Thomas Paine christened The Age of Reason, democracy supplanted the royal monarchy as the government of choice for enlightened nations. There was much discussion in those pivotal times of human advancement concerning the inherent Rights of Man. Borrowing from England’s Magna Carta, the British philosopher John Locke and the French philosophers Jean-Jacque Rousseau and Francois-Marie Arouet (aka Voltaire), Thomas Jefferson immortalized the universal human rights in the Declaration of Independence:

We hold these truths to be self evident that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are Life, Liberty and the Pursuit of Happiness.

Many attempts have been made to identify and innumerate the universal Rights of Man but none yet has succeeded in finding a general consensus across the divergent cultures of our planet. Some nations, held back by centuries of tradition and religious belief, have not yet accepted the basic tenets of individual liberty. Others like our own have failed to move beyond the most basic of rights and liberties. Some would say we have done a poor job of ensuring and protecting even those fundamental rights and I would count myself among them.

There is something to be said for the conservative approach to enlightenment. We cannot expect primitive societies governed by witchdoctors and tribal warlords to be transformed into functioning democracies overnight. We cannot expect nations carved in the earth by foreign occupying powers to embrace ideals of governance they have neither discovered nor devised for themselves. All societies must be allowed to evolve according to their own levels of consciousness by their own methods.

But we in America pride ourselves as a bastion of civil liberty. We never tire of proclaiming ourselves leaders of the free world, a shining city on a hill illuminating the way forward for all of humankind. It hardly matters that we have so often failed the test by sponsoring military dictatorships and coups or allowing the disenfranchisement of minority voters to overturn elections, we have an obligation by our own proclamation and self-aggrandizement to forward the cause. We have a responsibility to lead the world because we believe ourselves to be the world’s leader.

Despite our flaws and failures we have often found our way to push forward in critical times not by summoning the lost voices of our founders but by recognizing their substantial shortcomings. Our founders did not acknowledge the rights of women but the nation found a way. Our founders did not recognize the rights of minorities or the poor but succeeding generations righted those wrongs.

It is time we moved forward. It is time we understood once and for always that for every right our founders committed to law they got something wrong. They were profoundly flawed men even if enlightened for their time and we have no obligation to be bound in perpetuity to their shortcomings.

The recent national debate (if it may be called that) has brought to light several of our shortcomings in the fulfillment of human rights. When angry white men bring semi-automatic weapons to political protests it should not escape anyone’s attention that the right to free expression is compromised by anyone who does not agree with the armed protesters. It is not by happenstance that the founders placed the right to bear arms in the context of “a well regulated militia.” They had no intention of validating the spectacle of an armed mob intimidating their fellow citizens.

What are we afraid of: that a subversive element will take over the government? I would suggest that the subversive element is the angry mob itself and that recent history has already recorded the takeover of our government through electoral fraud. But the remedy was and is in the ballot box, not in armed mobs issuing thinly veiled threats before the television screens.

It will take time but we must curtail the right to arm in order to protect the greater right to freedom of expression and freedom from the inevitable violence that will ensue if this trend continues. We must elect officials who are sworn to take no money from the gun lobby that zealously blocks gun control legislation to prevent unstable individuals from purchasing automatic weapons and wielding them in public. We must eventually change the political equation that will not allow anyone to become a Supreme Court justice unless they agree to ignore the language of the second amendment in favor of an unfettered individual right to bear arms. Barring that we must amend the constitution.

The national debate on healthcare reform has brought to the fore the unfulfilled right to decent and affordable medical care for all our citizens. Indeed, all human beings, even those here illegally or as guests, should have the right to medical treatment without fear of penalty or deportation.

America is so far behind the curve on this issue that it alone places us in the second class of nations on the fulfillment of human rights and respect for human dignity. Every American should be ashamed that we alone among industrialized nations fail to ensure universal healthcare to our people. We are so blind to our own interests that we allow an industry that is motivated by profit and profit alone to dictate the terms of so-called “healthcare reform.” The corporate monoliths that provide millions in political contributions and millions more in a public relations offensive summon the uninsured and unhealthy masses to decry real reform as socialism and (unbelievably) fascism and the masses fall in line. It seems not to matter that fully 65% of the people do not buy the corporate propaganda and remain steadfast in supporting the public option as critical to the reform effort, it only matters that the angry mob on the television screen opposes it.

The fault here goes to the heart of our democracy. Quite simply, our elected officials are on the take. Until we succeed in banning corporate contributions from dominating our electoral system, our officials will represent the wealthiest corporations first and spend most of their time trying to deceive the people into believing it is in their interest.

Perhaps they can explain how it is in our interest that international corporations have been granted all the rights of individuals and more while individuals have been denied the most basic right of democracy: the right to vote. If you don’t believe that is possible you should spend a little time reading the landmark Supreme Court decision Bush v. Gore 2000. If the courts were forced to recognize the right to vote they would find it difficult to ignore the massive voter disenfranchisement that allowed George W. Bush to steal two presidential elections.

How can we possibly believe that our president went to war to secure other nation's rights to democracy when we have done so little to protect our own? The election of 2000 should have been the death knell of the Electoral College. Instead it fortified our standing as a second-class democracy. In any other nation the defense of archaic rules to justify the nullification of popular will would have been condemned for what it is: hypocrisy.

Compounding our shame, we have leaders who advance the notion that voting is not a right at all; it is rather a privilege. As a wise man once said: That is not only a lie but a damnable lie. If voting is a privilege then we live in an aristocracy and democracy be damned.

We cannot summon the founders on this one – not unless we want to go back to the days when the right to vote was conditioned on property ownership and neither women nor minorities were in the club. When the Declaration proclaimed, “all men are created equal,” it was a literal exclusion. The founders set up the United States Senate as a surrogate House of Lords to guard against the dangers of democracy. We can no longer defend such notions any more than we can defend slavery or the disenfranchisement of women.

The U.S. Senate has become the obstructionist body that thwarts the will of the people. It not only stands in the way of meaningful healthcare reform; it stands in the way of the advancement of human rights.

It is time we ended the archaic Senate rules that allow forty senators to defeat any major legislation. If they cannot do it or will not then we must elect senators who will. But we cannot find viable candidates for such a regal position who will represent our interests because the cost of a senate seat requires big money – the kind of money that only corporate monoliths can provide.

Here lies the linchpin of this thesis. It is the reason our government is incapable of advancing the rights of humankind. It is the reason we have not secured our right to vote. It is the reason we have not fulfilled the right to healthcare, the right to employment or the right to decent shelter. All our interests as citizens of the nation fall secondary to corporate interests because the largest and most powerful international corporations have a stranglehold on our political process.

They have the money and money rules – even when it has been provided on the public dole from our own pockets.

What we need now is a peaceful revolution, a mass movement, and a cause that supercedes all others. It is a cause that unifies disparate groups because it is simple and appeals to common sense. It would not prevent the election of fools and charlatans to office but it would end corporate dominance of our government overnight.

It is simply this: Only individuals (subject to the limitations set by our legislative bodies) shall be allowed to contribute to political campaigns.

Jazz.

JACK RANDOM IS THE AUTHOR OF THE JAZZMAN CHRONICLES (CROW DOG PRESS) AND GHOST DANCE INSURRECTION (DRY BONES PRESS). THE CHRONICLES HAVE BEEN POSTED ON NUMEROUS CITES OF THE WORLDWIDE WEB, INCLUDING THE ALBION MONITOR, BELLACIAO, BUZZLE, COUNTERPUNCH, DISSIDENT VOICE, THE NATIONAL FREE PRESS AND PACIFIC FREE PRESS. SEE WWW.JAZZMANCHRONICLES.BLOGSPOT.COM.

Tuesday, September 29, 2009

Beatlick Travel: Wild Rivers

Date: Sep 26, 2009 11:23 AM

The confluence of the Rio Grande and Red River is at the Wild Rivers Recreation Area where this report originates. The confluence I mentioned earlier on the Low Road to Taos report was actually the Rio Grande and Rio Pueblo confluence.

I also meant to tell you in my last report about all the small black tarantulas that kept crossing the dirt road we took out to Manby Springs. We passed seven in one mile. That was before the weather changed. These little guys knew all about it and were on their way to make new burrows for themselves as they prepared to settle down for the winter.

We are already hunkered down in full winter mode now as we head out for the Wild Rivers Recreation Area on BLM land. We are sleeping on the bottom bunk and lining the interior with the Indian blankets to keep in the warmth from two big candles, an oil lamp, the occasional Coleman heater, and my favorite – a hot water bottle. I carry it around like a baby, call it the “baby” and just am amazed how warm and cozy it makes me feel. I love it.

We have driven about thirty miles from Taos, off the main road, through lots of small communities that seem to be living a much more hard-scrabble life than their counterparts in glamorous downtown Taos. The clouds get bigger, grayer, and more daunting as we head further and further away.

The Montoso campsite is along the rim of the Rio Grande Gorge. The mountains are dark and vast in the background. There is a second gorge beyond our horizon where the Red River is making its way through its own steep canyon walls, heading toward the Rio Grande. It rains on us that night and a subdued atmosphere greets us as we set out on our hike.

We had to walk to the Junta Trail from the van through a path of decimated pines. By the time we got to the gorge overlook there was some sun peeking out of the clouds. We were well suited up, complete with gloves, sweaters, neck scarves, and sporting two walking sticks.

Here two ecological worlds collide at the Junta. High above on the rim where we camp we see grasslands below the big mountain peaks, along with sagebrush, juniper and pinyon trees. Far down below in the shadows at the bottom of the gorge there are towering ponderosa pine, small springs, and lush riparian vegetation. All lay there in shadow most of the day because the canyon walls are so high.

I can't imagine how far it is from the bottom of that gorge where the river runs to the top of those snow capped mountain peaks that greeted us this morning. It is a 1.2 mile hike down to the confluence. The trail is rated “difficult” and it is. We set out on a rocky switch back trail, had to climb down one ladder, take a long series of metal steps clinging to the rock face, then follow the continuous switch back rocky path down to a flatland. The BLM has made a valiant effort to hold back the relentless law of gravity that erodes the steep rock walls, taking out old trails, and necessitating new ones. At the bottom four trails converged into a cross, where we picked up the Junta trail, .4 miles further down an easy dirt path.

Unlike so many other places we have constantly encountered other hikers here, mostly fishermen with their rods in hand. Two couples came by us with ski poles, or I guess hiking poles. I took our two wooden walking sticks and made myself a hiking stick outfit and was amazed how much easier it was to maneauver and traverse across the rocks.

Despite how intimidating the trail looked and how distant the confluence, we made it there in 30 minutes or less. The hiking sticks I think added to the speed. Joe is a billy goat and scampers over rocks. I was definitely going slower than he was before I started using the two sticks.

There were only big boulders where the two rivers came together, no shoreline. The Rio Grande is the larger of the two rivers, neither one of them really daunting, yet the slope of the land and the big rocks created a friction and conflict so strong that a marvelous roar fills your ears and the water is smashing and gushing over stones, with the light dancing through the droplets of water. I found a relatively flat rock, took up a comfortable yoga position and just willed all that raw energy into my own body.

Later with great dexterity we made two sandwiches on our knees; there was no surface to maneuver with. We munched avocado, pepperoni, and cheese sandwiches while we watched the nearby man fishing for trout. Two women sat on rocks keeping him company. The sun went in and out and long logs of gray clouds still dominated the sky.

When Joe pointed out to me the ridge we had to hike back to I was shocked by how far away it looked and figured it would take all afternoon to get there. However surprisingly enough we were back withing an hour and fifteen minutes.

The most devastating shock of this hike is the destruction created by the pine bark beetles. We camped in the bone yard of pine tree skeletons. In my estimation in places a third of the trees are destroyed. Their carcasses so massive in number that it would be impossible to remove them, or burn them, and they devastate the landscape with their blackened limbs like burnt fingers scratching towards deliverance. But there is none.

Happy Trails
Beatlick Pamela

Sunday, September 27, 2009

Beatlick Travel: Taos

Date: Sep 23, 2009 11:45 AM

We spent four days urban camping in Taos alternating between Wal-Mart and Smith's grocery store before we found the public parking lot. Most accommodating with the city bus line right there, too. Taos is wrapping up the "Summer of Love" and I have had a good time interviewing locals about their reactions. Very diversified and some downright controversial. I have a scathing report to pass on later from a local, but I'm still waiting for permission to publish his rant.

Taos is tiny and I'm telling you they roll up the sidewalks at six o'clock around here. The restaurants are closed by nine and there are I think only three bars that are open into the night. The whole focus is the art scene and skiing. The prices are outrageous I think and all the merchandise is high end. We attended an open-mic in the lounge at the historic Taos Inn, but got there late. There was never a sign up sheet or invitation by the guy singing for anyone else to participate. The drinks were $9 apiece so Joe just ordered a $2 cup of tea. It was a great place to people watch. It's obvious who are the wealthy tourists and who are local low-enders. Their faces are lined with hard work and their jeans are stained with dirty feet in worn out sandals.

The lobby itself was magnificent, constructed of old timbers higher that telephone poles called vegas. They held up a mosaic roof of more wood, smaller pieces called latillas. They made a mosaic of great beauty, like some Cistene Chapel made out of logs. Balconied rooms overlooked the lounge and there was a great iron door that opened into the bar. All the walls were old adobe.

A beautiful long-haired redhead sat next to Beatlick Joe so he initiated a conversation with her. Turns out she lives in Gatlinburg and is moving to the tiny little shrine town of Chimayo. She said her name was Jen and she was staying in Santa Fe and had driven up for the day because she loved Taos so much. Her rental car had been broken into into two days before and she was overcome with how much help and support people gave her as she dealt with the problem. Turns out when she was married she lived in Nashville and her ex-husband ran the fancy Stockyard Restaurant downtown. After a few reminiscences about Music City we were discussing the local hot springs.

Before long a single man sitting on a nearby leather sofa joined our conversation. He was from Rhode Island, a real estate evaluator, whatever that means. He was obviously taken with Jen, who never would disclose her last name as she divulged her former careers in radio and the broadcast media world.

Bob turned out to be divorced, came to Taos two or three times a year, and was currently staying in an earth ship house out in what the locals call the "gopher holes." Those are houses made of recycled materials and tires filled with dirt. As Jen used her interviewing skills Bob's answers disclosed more affluency. He had another house in Vermont. The richer he appeared the more animated she became. Soon Bob was ordering a round of those $9 drinks. We had a good time talking to those two and Joe and I speculated if Jen would really drive all the way back to Santa Fe. We all departed when the bar closed at eleven. Jen had a CD of one of her interviews with an important physicist and philosopher back at her car she wanted to give Bob. We speculated whether she would make that long drive back to Santa Fe that night.

It was one of the most social nights we have had with anyone since we came here. The other highlight of our trip was the spectacular hike down to Manby Hot Springs. They are just a few miles out of town, about six miles down a dirt road. Then you park and hike down the Rio Grande Gorge. It was a steep and rocky trail but only took about twenty minutes. Another VW van owner was there with us. We have seen a lot of VW vans in this town.

Our hot springs mate was Stephan, pronounced the European way: stef-fun. I had hoped we would be alone and we had waited most of the afternoon for the parking lot to empty out. But just as we locked up our van Stephan pulled up in his. So I had to soak, in my bathing suit I might add, with Joe and Stephan both naked. But that's the way it's done out here.

Happy Trails
Beatlick Pamela

Saturday, September 26, 2009

Beatlick Travel: Albuquerque

Date: Sep 13, 2009 9:49 AM

[The website beatlick.com is up and running with the current issue of Beatlick News featured. This is now our only website, geocities site is closed down.]


The roosters start crowing at four in the morning. We are camped out in a field in the South Valley at a friend’s farm. The cows are right next door, too. This is really the country with the sounds of the day marking time just like the church bells used to do in the Upper Ninth Ward in New Orleans.

The chickens sound like people quarreling off in a distance or Ninja warriors getting ready to attack. No wonder farmers wake up early, you can’t sleep through the noise. The roosters crow until about ten in the morning and then the cows start up. It is a cacophony all day long. And the night is augmented with the sound of the neighboring dogs.

We always have some sort of audio book to listen to so when the roosters start in the morning I turn on the boom box in the dark, put on my CDs of “Benjamin Franklin,” “The Johnstown Flood,” or Michener’s “Mexico.” That usually gets me through till about seven in the morning.

We stayed out in the field for a week with our tent set up. It attaches to the van’s sliding side door and creates such an accommodating space we are quite comfortable. We spend our time clearing out the weeds in the garden and watering the orchards, strawberries, and raspberries for camping privileges. After a week we got to move into the A-frame adobe guest house and set up until some more money comes in for next month.

We have to climb an eight-foot ladder to go to bed. It's a challenge to go to the bathroom in the middle of the night and we do our best to avoid it. Makes climbing down from the top bunk of the van a breeze. Although I am grateful to be indoors; it's so much quieter.

We love the simplicity of the farm, the slower pace, and the daily chores. From this vantage point you would never guess you were so close to a thriving metropolis such as Albuquerque. We head out in another day or two, for some poetry functions in Las Placitas, then on to Taos.

Happy Trails,
Beatlick Pamela

Thursday, September 24, 2009

Wakiza's Wisdom: When will the wiser people wake up and make a stand? Sadly not anytime soon...

By Wakiza McQueen‏

There is truly a sickness plaguing the American people. Our society has become (maybe always has been) quite individualistic and self-effacing. One often wonders if Charles Darwin was not only a scientific forerunner, but a prophet describing the evolution of the human species, as it were, when he produced his seminal work, On the Origin of Species. For it is truly survival of the fittest in today's society. And the fit, in America, are the top 1% that control the wealth in this country, not excluding corporations. I am by no means an anarchist or a far-left wing zealot espousing the virtues of a socialist economy. I am an American first and foremost, and like our fore bearers, believe in a capitalistic economic system. However, as quoted by Arianna Huffington, capitalism requires a moral foundation with which to operate successfully:

"In capitalism as envisioned by its leading lights, including Adam Smith and Alfred Marshall, you need a moral foundation in order for free markets to work. And when a company fails, it fails. It doesn't get bailed out using trillions of dollars of taxpayer money. What we have right now is Corporatism. It's welfare for the rich. It's the government picking winners and losers. It's Wall Street having their taxpayer-funded cake and eating it too. It's socialized losses and privatized gains."

Indeed it is "Corporatism" and "socialized losses and privatized gains" that has infected our culture, and like a virulent retrovirus, it is destroying us from within and there seems to be no cure in sight, nay, not even a vaccination; we're all susceptible. Natural selection too is taking place, but not by the evolution of the best qualities for success being passed along, but by government intervention, call it "elitist selection", by which our government picks the winners and losers: AIG, Goldman Sachs, Bank of America, Citi Bank, et al.

The solution is simple. We need to change Washington and enact a public campaign financing system that supersedes the existing private campaign financing system that corrupts our politics in this country. We need to change the for profit industrialization of healthcare, the military, and the prison system, that treat human beings as commodities to be bought and sold (I thought slavery was outlawed in this country with the emancipation proclamation). Finally, we need to elect politicians that represent their constituencies and care about the social welfare of this country, and legislate for the common needs and rights for all people in our society. Bertrand Russell said it best: "The problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubt." So the question remains, when will the wiser among us wake up and make a stand? I'm on my two feet, how about you?

wmcqueen@kpmg.com

Tuesday, September 22, 2009

Beatlick Travel: El Malpais

Subject: Beatlick TR: 7Malpais
Date: Sep 10, 2009 10:08 AM

[A note to say there is something going on with beatlick.com website and I'm really bummed out about it, so if anyone is trying to access Beatlick News there I hope I can get this straightened out soon.]

Last night we slept under two chenille blankets, a down comforter, and an Indian blanket over that. The weather has really turned, clouds, drizzle. Beatlick Joe wants to poke around Quemado Lake but I am anxious to move on. We are headed to El Malpais, near Grants, NM. My best friend from my Alaska days way back in the mid 80s, in a little tiny town named San Rafael, just four miles from Grants. One more night to spend in the wilderness and then we’ll be off to Andrew’s house and I can’t wait to see him.

The closer we got to El Malpais the warmer it gets and I am relieved, wasn’t really ready to start enduring the cold yet! The El Malpais National Conservation Area gets its name from the lava beds that comprise it. This area is full of old volcanoes and the black lava flows still dominate the landscape although they were deposited thousands of years ago. You can stand there and imagine what the dinosaurs saw. There is a great picnic ground at the Lower Narrows picnic and we set up. First we pulled all of the blankets and bedding out of the van and stretched them in the hot sun to dry out. In the late afternoon we took a hike along the Narrows Rim.

The Narrows Rim Trail at an elevation of over 7,000 feet gives hikers a view to witness geologic processes thousands of years apart. We took a moderate hike up to the top of an ancient mesa where we could see the much younger lava beds below, all black with gangly trees struggling out of the folds and crevices. On top of the mesa the soft sandstone rocks are a beautiful dirty rose color with light tints of green moss, and pale blue rock fragments. In the light of afternoon with the ferns and vegetation in full bloom it is just a breathtaking sight and in so many pastel colors that contrast so sharply with the lava beds across the highway and the dark clouds beginning to loom overhead.

The wildflowers are abundant all along the trail here in the late summer. Ponderosa pine, a pinon and juniper woodland, and a variety of oak and shrub species line our pathways. Brochures claim mule deer, elk, bobcat and black bear have all been spotted along the mesa trail but thankfully we didn’t encounter any. The rabbits, chipmunks, squirrels, and lizards are plentiful here and it is claimed birders can view over 30 different species of birds on a good day.

When we heard the thunder we cut our hike short, not even halfway to the La Ventana Natural Arch. On the way back down the trail we ran into to a young man and his grandfather just picking up the trail. The old man complained about how sharp the lava was to walk on and they were expecting an easier time of it up on the mesa. Brochures didn’t encourage anyone to hike up there with looming thunderstorms but they headed out anyway.

We went back to our picnic table. Joe and I tossed around the idea of illegal camping there overnight, we weren’t in sight of the highway, but the thought of getting to see Andrew before the day was over won out and we headed for San Rafael. I was supposed to give Andrew some notice before I arrived but I wasn’t able to because we didn’t have any phone service. He was a little taken aback when I informed him we were already at WallyWorld in Grants. “Oh, wow,” he said, but agreed to meet us in 15 minutes.

We stayed camped in the backyard of Andrew’s parents house. They are both gone now, parents of a dozen children, all raised in this tiny town of 700 people. All his brothers and sister keep this beautiful home like a shrine to their parents. They had a party just the night before to celebrate a fortieth birthday. Andrew and I spent a lot of time reminiscing about our days in Alaska. Andrew and I were hairdressers for Jon Anthony Salons in Anchorage. He knows me so well, has known me even longer than Joe, and I guess outside of some people in Nashville, he is my oldest friend. No one makes me giggle but Andrew. He always cooks up great meals and we stay up late and discuss naughty subjects all night.

Happy Trails,

Beatlick Pamela

Beatlick Travel: Quemado Lake

Subject: Beatlick TR: 6Quemado Lake
Date: Sep 2, 2009 12:35 PM

Next morning we woke up to find two big trailers and one modest tent in the campground. We passed a man in the tent and he struck up a conversation. Turns out he is the great grandson of the first homesteader in the area. He told us all about the Pueblo Creek and how it used to be full of fish. He described the big wash outs that come these days during the rainy season. He said all the property around this area now belongs to the US Forestry Service. I guess he still enjoys coming out to visit the old homestead and remembering better days.

We took the interpretive trail right there in the campground. It featured some sites where the Pueblo Indians used to live. It was a short walk, but at least we did get to see some semblance of where the Indians lived. All the guides that go with an interpretive trail were long gone so we just had to imagine the circumstances. Budget cuts I'm sure.

We were on the road by 11 am. We stocked up again in the little town of Reserve. Beatlick Joe now has poison ivy so we were lucky to find some Benedryl there. We headed on out towards Quemado Lake and set up camp by 1 pm. It looks like a miniature Lake Tahoe in Nevada. We had a big rig parked right next to us. We decided of course to take advantage of the free campsite parking here in a big gravel lot. There's plenty of fee area camping on down the road.

We were perched high overlooking the lake and Joe walked the trail all around it - about an hour's walk. The wildflowers are dominating the landscape right now. Despite some gloomy weather we set out for a little store and steak house we saw coming in hoping to find a land line telephone and a hot drink. We set out wearing gloves, sweaters, and neck scarves. We hiked along sharing a small umbrella with newspaper comic strips all over it. When we got to "Snuffy's" it was closed and the pay phone was out of order.

It was a long walk back, all uphill. Rains seriously set in just as soon as we reached our campsite. We settled in with a hot cup of hibiscus tea and opened a can of hot tamales. We fell asleep to the drone of the big rig's generator next door.

Happy Trails
Beatlick Pamela

Thursday, September 10, 2009

Beatlick Travel: Glenwood

Subject: Beatlick TR: Glenwood
Date: Aug 27, 2009 10:10 AM

Glenwood is this tiny little town once bustling from mining , sawmill, even the early aviation industries, but now a quaint conglomerate with a guest ranch, rustic cabins for rent, goat mile beauty products, an old bible camp, some art galleries, a rock shop, two bars and three restaurants – as far as I could tell.

We settled in at the free Bighorn Campground west of town and right next door to the $18 a night RV park. We had the campground to ourselves and there were about three rigs at the RV park, most looked like they were there on a semi-permanent basis.

I took a yoga class for $5 down at the Community Center taught by a British woman named Cornelia. She arrived in Glenwood seven years ago via London, Africa, and New York City. She and her husband have horses and built a labyrinth which they make available to the public.

At the Blue Front Bar and Café we found out from the locals that a nearby landowner tapped some of the hot springs on their property which they had closed to the public. Then they pumped the hot water up to their residence and set up an exclusive RV park and campground named Sundial Hot Springs. Reservations only. I tried to call the number from a pay phone by the Trading Post, but got an answering machine that said it would call back. Unfortunately cell phones don’t work in the town, so that limited communications.

In the morning we had 25-cent coffee at the Golden Girls Café. Great, I mean great biscuits. In the tiny dining room only one other table was filled. There sat a man and woman with two young children and a baby. Their car roof was covered with about a dozen gym bags of varying proportions all lashed together. One of the back tires looked like it was going to explode at any minute. I wanted to ask, "How far do you think you're going to get on that tire?"I was sure we would see them broken down further down the road. But I guess it is some kind of tribute to them that they could set that problem aside and sit down to a great breakfast.

We’re all carbed up too and ready to press on into the wilderness.
Happy Trails
Beatlick Pamela Hirst

Monday, September 07, 2009

Beatlicks: Last Generation of Campers

Subject: Beatlick TR3: Glenwood here we come
Date: Aug 26, 2009 12:40 PM

Last night Beatlick Joe and I sat outside to watch the sky. It was too dark to see the cow patties but we got lucky and missed most of them. I haven’t really spent that much time looking at the stars since Joe and I took that sailboat trip out of Zihuatanejo to Mazatlan, sailing beneath the Southern Cross. I couldn’t even find the Big Dipper, but in my defense the stars were so numerous that it was lost in the masses.

You know if you look up into the sky long enough you will definitely see something that makes you want to scratch your head. Joe and I both saw a little red star that seemed to pulse and quiver around, not really travel, but definitely move incrementally in all directions. We watched the blinking lights of airplanes traverse the whole horizon and the summer heat lightning illuminate the sky off towards Silver City.

Next morning we pulled out and learned a lot more about the Bubbles at the Ranger Station. The Bubbles don’t exist anymore – dried up years ago. All our information was too old truthfully. We also learned from the rangers that the road to the hot springs was closed because of squatters.

Apparently a small enclave was living there and word got out that an infant had died up there. Upon further investigation it was discovered that the people were poaching long horn sheep for sustenance. They were run out and the road was closed forever.

The young female ranger that came to our campground told me squatting is still a problem. She had a work crew back near the springs to clear brush recently when she discovered an intact “house” that someone had constructed for themselves out there. Now for her own protection she’s not allowed to go back there to work.

She also said the rangers who work in this area do not restore the hot springs after a flood. So maybe the person in that “house” is the one who attempted to restore one of the pools. Or maybe the person whose blanket I now own did it. The smaller pool near that camp was by far the cleanest and best being constructed all out of rocks without mud.

That camper who left the blanket had sustained himself or herself with a twenty-pound bag of organic oatmeal. I know because the bag was left there as trash along with the blanket, pan, backpack and tarp.

So, only problem campers, floods, and a need for constant restoration, it’s easy to see why these campgrounds can be cut from the Federal budget or simply diminished to hiking trails. In this economic climate it’s just a matter of time – especially when there is the pristine Cat Walk hiking experience fifteen miles down the road with only picnic grounds to maintain.

Beatlick Joe says we are probably the last generation of campers.

Happy Trails
Beatlick Pamela Hirst

Sunday, September 06, 2009

Peace on the Home Front

[From Bill Harris in response to As the World Turns: America Left Behind (Pacific Free Press, Bellaciao 9/6/09). See his blog “Peace on the Home Front” at http://antinomian-peacenik.blogspot.com.]

Debaters debate the two wars as if Nixon’s civil war on Woodstock Nation didn’t yet run amok. One need not travel to China to find indigenous cultures lacking human rights or to Cuba for political prisoners. America leads the world in percentile behind bars, thanks to ongoing persecution of hippies, radicals, and non-whites under banner of the war on drugs. If we’re all about spreading liberty abroad, then why mix the message at home? Peace on the home front would enhance global credibility.

The drug czar’s Rx for prison fodder costs dearly, as lives are flushed down expensive tubes. There’s trouble on the border. My shaman’s second opinion is that psychoactive plants are God’s gift. God didn’t screw up. Canadian Marc Emery sold seeds that enable American farmers to outcompete cartels with superior domestic herb. He is being extradited to prison, for doing what government wishes it could do, reduce demand for Mexican.

The constitutionality of the CSA (Controlled Substances Act of 1970) derives from an interstate commerce clause. Only by this authority does it reincarnate Al Capone, endanger homeland security, and throw good money after bad. Official policy is to eradicate, not tax, the number-one cash crop in the land. America rejected prohibition, but it’s back. Apparently, SWAT teams don’t need no stinking amendment. Father, forgive those who make it their business to know not what they do.

Nixon promised that the Schafer Commission would support the criminalization of his enemies, but it didn’t. No matter, the witch-hunt was on. No amendments can assure due process under an anti-science law without due process itself. Psychology hailed the breakthrough potential of LSD, until the CSA halted all research and pronounced that marijuana has no medical use, period.

The RFRA (Religious Freedom Restoration Act of 1993) allows Native American Church members to eat peyote, which functions like LSD. Americans shouldn’t need a specific church membership to obtain their birthright freedom of religion. Denial of entheogen sacrament to any American, for mediation of communion with his or her maker, precludes free exercise of religious liberty.

Freedom of speech presupposes freedom of thought. The Constitution doesn’t enumerate any governmental power to embargo diverse states of mind. How and when did government usurp this power to coerce conformity? The Mayflower sailed to escape coerced conformity. Legislators who would limit cognitive liberty lack jurisdiction.

Common-law must hold that adults are the legal owners of their own bodies. The Founding Fathers decreed that the right to the pursuit of happiness is inalienable. Socrates said to know your self. Mortal lawmakers should not presume to thwart the intelligent design that molecular keys unlock spiritual doors. Persons who appreciate their own free choice of path in life should tolerate seekers’ self-exploration.

Saturday, September 05, 2009

Beatlick Travel: San Francisco Hot Springs

Subject: Beatlick TR2
Date: Aug 25, 2009 1:01 PM

Rattlesnakes and the Elusive Bubbles

Next morning we were up early and headed to the trailhead of the San Francisco Hot springs. A cursory look at the hiker notes gave warnings of the rattlesnakes so we had our walking sticks in hand and heavy boots on foot. It was sunny and hot already with a slight cool breeze. Beatlick Joe has been researching the elusive Bubbles hot springs for five years or more. We have found the two small pools on a trail that is relatively approachable, but never the Bubbles.

According to his information the Bubbles pool is about half a mile further downstream of the two pools we are familiar with and you have to cross the San Francisco River a few times to get there. It’s a fairly arduous hike but fine for us, we can hike six miles without blinking. We came to the first river crossing and Joe decided to stay on the eastern side of the river where the Bubbles are. That made me nervous because I knew what to expect taking the old path, but as usual, the minute I get comfortable with anything Joe will always push the envelope to constantly challenge me. So rather than go it alone the old familiar way, I had to fall in line behind him.

Soon we came to an abandoned campsite. Underneath a tarp was a really nice Indian blanket. We made a mental note of the camp and decided to come back and get that nice blanket.

When we came to the first river crossing I changed into my plastic shoes and Joe put on some sturdy sandals. This way we easily walked in the river. Well we hiked and we waded, we crossed the river and hiked some more. For over three hours we looked for the
Bubbles going further and further back into the woods. We saw numerous indications of serious flooding in the last five years and I began to have serious doubts that the Bubbles exist anymore. We only gave up when we hit a trail where the rattlesnakes made themselves apparent with a loud rattling.

“That’s all the information I need,” I said and made an about face. I looked back at Joe; he was woefully looking back at the towering rock face ahead. I know he was still visualizing those hot springs.

“Go ahead if you want to; I’ll wait here for you here.”

He was still determined to go.

“Don’t you want to take those sandals off? At least put your boots back on so the snakes can’t bite your ankles.”

He paused.

“Well, I’ve waited long enough to give them a chance to crawl away,” he said and then he set out again, still in his sandals. But on his second step a rattlesnake alarm went off with such alarming intensity that it seemed only prudent to turn back.

So we retraced all our steps and crossings back to the familiar San Francisco pools and we were shocked at what we found. The trail we had taken five years ago was completely obliterated; even the tree where we hung our clothes was gone. The brush was so compact and dense that we walked upstream and took an alternate path back to our campsite.

Obviously interest in the springs has fallen off so greatly that the trail has disappeared. First bureaucrats made it so difficult to reach the springs (once you could drive there but the road is now blocked off), then the floods and Mother Nature have taken their final toll.

Someone has haphazardly tried to rock off the pools again, but they are so much smaller and funky that I didn’t dare step foot in them. The bottoms were solid mud.

Now it was a wonderful hike, we tramped around for over six hours, and it was fun encountering all the cows along the way, but I doubt we’ll ever pass this way again. Just like the campgrounds are fading away, so are so many of these natural wonders. The gifts of nature blocked off from hikers and tourists, the land leased to ranchers, slowly these natural blessings are fading away before my eyes.

On a lighter note we do always come away from the San Francisco Hot Springs with something. Once I found a stylish pair of black sunglasses with rhinestones at the pools. Once at the campground Joe found a good pair of tennis shoes and he used them for work shoes for months. This time we found that abandoned campsite with an empty backpack, pot, and the Indian blanket underneath a tarp. I kept the blanket. It will take a while to get all the goat heads and cockle burrs out of it but I am pleased with it and consider the hike a grand success even though we never found the illusive Bubbles.

Happy Trails
Beatlick Pamela

Saturday, August 29, 2009

Mansel: Media from Dante to the Lost and Found

Chris Mansel's new blog: Media From Dante to the Lost and Found uses
the blog technology as well as any I have seen. Chris mines the net
for a range of interests so broad it is difficult to believe one
person covers all this terrain, and he has compiled these excerpts and
links in a little over a week. We can only imagine what the site will
be like in a few months.

Jake Berry

Explore for yourself at:

http://mediafromdantetothelostandfound.blogspot.com

Sunday, August 23, 2009

Beatlicks: On the Road Again

Subject: Beatlick Travel Report 1: Out of Las Cruces
Date: Aug 20, 2009 9:52 AM
Out of Las Cruces

This time pulling out of Las Cruces for the open road seemed like a small miracle. So many commitments and obstacles are behind us, but it’s a long time coming and I am grateful, just grateful to finally be off.

The van has been officially blessed by the Ukrainian Orthodox Church! Then Father Gabriel threw a few drops of rose water on Joe and me as well for good measure. We had a final meal with our good friend/mechanic/greatest enabler Michael Elliott in Old Mesilla. On the way out we stopped in at the cultural center to pay our respects to Denise Chavez, Joe’s old college friend. Then we were gone.

We drove west toward Deming to stock up at Wally World, then picked up Highway 180 toward Silver City and beyond to the San Francisco Hot Springs Campground. When we started smelling skunk and seeing signs to watch out for elk we knew we were headed towards the wilderness. On roads like 180 you can drive for hours through vast distances unchanged since the wagon trains went through. We saw the occasional small road left, due west to Arizona, and hardly a car passed us by.

Right before mile marker 58 we turned into the San Francisco Hot Springs Campground, just at sunset. The campground is now host to a herd of cows. We set up camp without disturbing them too greatly, got out the crackers, peanut butter, pepperoni and beer. I took the time to really look at one of those cows, as it was looking at me, just luxuriated in that moment taking the time to really look at that sweet gentle cow. And it will be rewarded for all its sweetness and gentleness by being eaten. Sad, but they are delicious.

After the cows settled down there wasn’t a single sound. Stillness. No barking dogs. Radios. Sirens. Weird. Joe got out his hand cranked radio and we picked up this awesome station 107 playing all the old 70s and 80s music. It was all those love songs that used to make me so sad back in the old days when I was a single parent, so lost and lonely. But to hear all those songs now, with Joe so near, just filled my heart.

I hit the top bunk early; it was a long and hot drive. I went to sleep with Joe saying, “Pamela you should see all these stars!” I peered out the screen window from my bunk and saw the sky looking like fireworks in freeze frame.

Happy Trails
Beatlick Pamela

Sunday, August 16, 2009

Mansel: Smoke Over The Mountains of Santa Cruz

...

wildfires burning stretching from tree to tree
horrors in ashy decay, dark paths coming soon
birds flying away, fireman dug in backs against the sea
california and the mountains of santa cruz

c-130's passing overhead, the pilots' home ablaze
possessions held overhead over highway smoke
cameramen focus on the children running away
scavengers move across police lines that broke

authorities say make way for the politician's motorcade
they've brought a six pack of bottled water and sincerity
not since the boys in the backroom and promises made
have the politics been so cut dry and full of clarity

chorus:

lives are in danger but in other news
no injuries reported from sky views
There's smoke over the mountains of Santa Cruz
There's smoke over the mountains of Santa Cruz



- Chris (christophermansel@hotmail.com)

Wednesday, July 29, 2009

COMMON SENSE: NATIONAL HEALTH CARE

[JAZZMAN CHRONICLES. DISSEMINATE FREELY.]


By Jack Random


Tom Brokaw: Is health care in America a privilege, a right or a responsibility?
John McCain: I think it’s a responsibility.
Barack Obama: Well I think it should be a right for every American.

Presidential Debate, October 7, 2008.


“Health insurers and drug makers have showered members of the 111th Congress with millions in campaign contributions over the last four years, with a special focus on leaders who will play major roles in shaping health-care legislation, according to a study to be released tomorrow.”

Dan Eggen, Washington Post, March 8, 2009.


The reason we do not have national health care, like the reason we cannot control military spending and the reason we remain dependent on foreign oil, can be summarized in one word: money.

No, it is not the cost of national health care that prevents us from achieving what every other advanced nation has already achieved for there are no objective analyses (as opposed to those paid for by the healthcare industry) that fail to find billions and trillions in savings compounded over the years of implementation.

It is rather the money that is piped into the political system by private corporations with a vested interest in preserving a cash cow that prevents us from achieving this fundamental goal: affordable healthcare for all our citizens.

We have heard the numbers ad infinitum ad nauseam. We hear Republicans and Blue Dog Democrats cynically attempting to transform the healthcare debate into yet another attack on illegal immigrants. It is a strategy as old as the Appalachians and as useful as a three-legged ass: Divide and conquer. We don’t want to pay for them. But we are paying for them. We are paying for them in every crowded emergency room in every public hospital across the nation. As long as medical ethics and the laws of common decency compel doctors and nurses to treat the ill and needy it will always be so. We should want it no other way if for no other reason but that we may find ourselves or our loved ones in the circumstance of need at some time in our lives.

Few among us are so wealthy that we could bear the cost of a major operation or a prolonged illness without generous assistance. It is then when we are most in need that we invariably discover the shortcomings of our healthcare system. Every insurance agency and every corporate care provider has a staff of skilled professionals dedicated to defining the limits of our coverage and protecting the profit margin.

It is only common sense.

We do not need any more statistics or case studies to tell us what we already know. We only need a healthy dose of common sense – the kind our grandparents had before the system pumped them so full of drugs they can hardly think.

Common sense tells us that profit motivated corporations may be good for selling toys and trinkets but they are poorly designed to protect the health of our citizens.

Common sense tells us that when corporations profit from illness and dependency they have no incentive to promote wellness.

Common sense tells us: the larger the pool of coverage, the lower the costs for all. The very concept of health insurance is that those who are well will pay for those who are in need. Insurance companies strive to represent only the healthy. Should you ever have a need you are placed in a separate group (high risk) and rates quickly become impossible to pay.

Common sense tells us denying coverage to those who need it is a practice that has no place in the healthcare profession.

Common sense tells us that when our medical and pharmaceutical industries are in the business of making money, they will sell us drugs and treatments we do not need and deny us remedies that do not pay.

Common sense tells us that an unregulated “free market” health and medical care industry, like the financial institutions before them, will follow the path of greed and avarice until it breaks the bank and the system crashes unless meaningful reform is enacted.

It is unfortunate that our Supreme Court with a corporate bias perhaps unprecedented in history has zealously protected unlimited corporate contributions to political candidates and office holders under the guise of “free speech.” The same court (only the names have changed) that refused to recognize a fundamental right to vote (see Bush V. Gore 2000) has defined monetary contributions as constitutionally protected speech.

Common sense tells us that politicians will serve the hand that feeds them rather than the interests of the people they represent unless public outcry is so overwhelming it threatens their hold on power.

I do not know all the particulars of the Obama healthcare proposal but common sense tells me this: The medical-pharmaceutical-insurance industry and their lackeys in congress would not be fighting so hard to defeat if it was not a meaningful step in the right direction.

One last caveat: The Obama proposal is not National Health Care and that is unfortunate. That is the goal and this reform even if it passes will fall well short. But common sense tells me we have to take the first step before we can take the second.

The first step is what is commonly referred to as the public option. Let Joe the Plumber and all those like him who secretly or openly decry Social Security and Medicare as a socialist conspiracy take the private option and let them pay the price.

Common sense tells me the public option will win.

Jazz.

JACK RANDOM IS THE AUTHOR OF THE JAZZMAN CHRONICLES (CROW DOG PRESS) AND GHOST DANCE INSURRECTION (DRY BONES PRESS). HE IS A COLUMNIST FOR THE NATIONAL FREE PRESS – WORLD EDITION. SEE WWW.JAZZMANCHRONICLES.BLOGSPOT.COM.